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Summertime with BHMA

Hello supporters and friends,

It has been a fantastic summer for all of us at Heritage Arlington!

We kicked off the season with a wonderful banquet featuring FOX 5’s Gwen Tolbert as our keynote speaker, along with national recording artist and author Daryl Davis. A heartfelt thank you to everyone who supported us—we can’t wait to do it again next year!

Our team has also been honored to participate in multiple Juneteenth celebrations across the area, as well as mark America’s 250th anniversary. Now that we are in the heart of summer, believe me, there is much more to come:

Remembering the Enslaved Event

August 2 2026 at 12 pm To put on

St. Ann’s Church

We remain dedicated to preserving African American history in Arlington and actively engaging with our vibrant community. Thank you for walking this journey with us!

Dr. Scott Edwin Taylor, PhD


Shadows of Arlington: Ghost Stories and Ancestral Spirits of Northern Virginia

(Dr. Scott Taylor, PhD )

Behind  Arlington’s modern cityscape of high-rises and suburban neighborhoods lies a rich, layered history. Deeply intertwined with the local African-American experience, Northern Virginia’s landscape holds eerie legends, tragic lore, and enduring oral traditions. From forbidden hollows to sacred, spirit-filled grounds, these four chilling stories bridge the gap between Arlington’s past and the spectral present.

Dead Man’s Hollow

Near what is today the Spout Run shopping center in Rosslyn, modern commuters hustle past an area that was once strictly avoided after dark. In the late 19th and early 20th centuries, this ravine—known ominously as Dead Man’s Hollow—earned a dark reputation due to a string of robberies, tragic incidents, and unsolved murders.

 Early 1900s newspaper reports record several grim events tied to residents of Halls Hill (now High View Park). Among them was the tragic 1906 death of Fred Miles, a 32-year-old Halls Hill resident whose life was cut short in the hollow.

For decades, travelers refused to traverse the hollow at night. Local lore speaks of dark shadows darting between the steep hillsides and echoes of distant, historical struggles cutting through the evening silence.

The Whispering Echoes of Freedman’s Village

 Not every haunting stems from a traditional ghost story; some arise from deep historic displacement. Beneath the quiet, manicured grounds of Arlington National Cemetery lies the memory of Freedman’s Village—a thriving community built by formerly enslaved people that flourished from 1863 to 1900.

The federal government forced the removal of Freedman’s Village residents to expand the cemetery, dismantling a vibrant, self-sustaining community.

Many believed the spirits of the community leaders and families never truly left the land they fought so hard to build.

Visitors and groundskeepers near the Freedman’s Village Bridge report inexplicable feelings of being watched.

Witnesses occasionally describe hearing the faint, distant hustle of a bustling 19th-century neighborhood where only gravestones stand today.

Green Valley

In the historic neighborhood of Green Valley (Nauck)—settled in the 1840s by free African Americans like Levi and Sarah Ann Jones—folklore takes on a very different, protective tone.

Rather than malevolent ghosts out to cause fear, oral traditions in Green Valley speak of “haints” or ancestral spirits. Passed down through generations, these stories describe guardian spirits tied to the neighborhood’s oldest homes, watching over descendants and keeping vigil over the heritage of one of Arlington’s foundational communities.

Halls Hill (historically known as High View Park)

The  oldest historic African-American enclave in Northern Virginia—has a ghost story tradition deeply tied to its geography, tragic events in its periphery, and rich oral traditions.

While much of Halls Hill’s supernatural lore centers on protective ancestral spirits rather than Hollywood-style malevolent hauntings, several specific legends and eerie accounts connect directly to the neighborhood and its immediate borders:

In alignment with traditional Southern African-American folklore, oral history in Halls Hill often refers to “haints” or guardian spirits:

Unlike terrifying phantoms, these spirits were believed to be the ancestors and early settlers who established Halls Hill after purchasing plot land in the 1860s following emancipation.

Elders in the neighborhood historically spoke of feeling the presence of past community builders watching over old family homes, church properties, and neighborhood perimeters—a comforting, protective supernatural presence during eras when the segregated community had to rely entirely on itself for safety and resilience.

Located just at the edge of the historic Halls Hill neighborhood footprint (near the Overlee Community Center pool site), stands one of Arlington’s most persistent ghost sightings.

The Ghost of Margaret Febrey: In the 1890s, Ernest Febrey built the grand Febrey-Kincheloe estate nearby, where his young daughter Margaret tragically died of spinal tuberculosis in 1913.

Over decades, caretakers, contractors, and pool visitors have reported seeing a young girl dressed in a Victorian-era gray dress walking the grounds, standing near basement stairs, or appearing poolside. Demolition workers tearing down the old estate structure in 2012 even reported speaking to a strange girl in 19th-century attire before she vanished into thin air.

Queen City: The Burning Town 1942

While Queen City—the historic African-American neighborhood near where the Pentagon sits today—does not have traditional “haunted house” ghost stories, its history is deeply tied to a profound, tragic “historical haunting” and modern memorial lore. 

Queen City was established in the late 19th century and grew into a vibrant, self-sustaining Black community complete with 218 homes, local businesses, churches, and Arlington’s first all-Black fire station. 

In April 1942, during World War II, the federal government invoked eminent domain to build the Pentagon highway network and road interchanges. Rather than giving residents adequate time to relocate, federal authorities executed a scorched-earth clearance—deliberately setting fire to homes and bulldozing structures while families were still packing their belongings. Over 900 residents were displaced in a matter of days, completely erasing the physical footprint of the town. 

For decades, former residents and historians referred to Queen City as a “phantom neighborhood.”

Because it was replaced entirely by concrete—specifically the complex web of cloverleaf ramps where Columbia Pike meets the Pentagon—local oral tradition holds that you can literally “drive right over” the phantom ghost town.

Elders who lived through the displacement often spoke of the surreal, haunting sensation of standing near the modern Pentagon interchanges and knowing that their childhood living rooms, kitchens, and church altars sit right under the asphalt.

Spiritual Ties

In Southern Black folklore, when a community is violently dismantled or uprooted without proper closure, its memory is said to leave a deep spiritual weight on the land.

Local oral histories among displaced families carried the belief that the spirits of the early community builders remained tied to the land.

Rather than malevolent specters, these ancestral presence accounts were viewed as a persistent refusal to be forgotten—a quiet, protective “shadow” cast over the military infrastructure built on top of their homes.

The memory of Queen City’s abrupt erasure inspired a major public art monument created by artist Nekisha Durrett at Amazon’s HQ2 in Metropolitan Park. 

Built in the shape of a massive brick silhouette, the interior contains 903 handmade ceramic teardrops—one for every single Queen City resident displaced in 1942.   Visitors and locals describe walking inside the monument as an almost supernatural experience: the dark interior, suspended teardrop vessels, and ambient echo create a sacred, tomb-like space specifically designed to give physical shape to the “ghosts” of a lost community.

 Whether viewed as eerie supernatural phenomena or profound cultural memories, these legends serve as a poignant reminder of the lives, struggles, and resilience of the African-American communities that shaped Arlington and the surrounding region.


Remembering Mrs. A. Davis

Mrs. A.J.E. Davis was a prominent figure in the 1957 effort to desegregate Stratford Junior High School in Arlington, VA. While she was not a teacher at the school, she was a Civil Rights activist who escorted three Black students when they attempted to enroll at Stratford.

The students were turned away and told they must attend a segregated school.

Here is a summary of Mrs. Davis’s role and the history of Stratford Junior High:

Civil Rights involvement: On September 5, 1957, Mrs. Davis accompanied three African American students—Joyce Bailey, George Nelson, and Leslie Hamm Jr.—to the principal’s office at Stratford to enroll them.

They were refused admission. This was one of several actions taken by community activists, including local NAACP members, to challenge Arlington’s segregationist policies.

Key facts about Mrs. Davis and Stratford Junior High School:

Civil Rights involvement: In September 1957, Mrs. A.J.E. Davis accompanied three Black students—Joyce Bailey, George Nelson, and Leslie Hamm Jr.—to Stratford Junior High to try and enroll them. They were refused entry by the principal and told to attend the segregated Hoffman Boston School for Negroes instead.

Family connection: She was active in the local NAACP alongside Geraldine Davis and Dorothy Hamm. Dorothy Hamm’s son, Leslie Hamm Jr., was one of the students Mrs. Davis accompanied in 1957.

School desegregation: In 1959, Stratford Junior High officially became the first public secondary school in Virginia to be desegregated after four different Black students were successfully enrolled. This event helped to end Virginia’s “Massive Resistance” to integration.

(Dr. Scott Edwin Taylor)


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